An Outlands commission by musician Beatrice Dillon and artist Keith Harrison merging rhythmic computer-music composition with transformed raw materials, via a modular system of malleable substances, light and multi-channel audio, with an experimental structure that changed reactively across tour dates. Accompanying daytime workshops by tour DJs Copper Sounds let participants design and cast playable wax recordings using unconventional turntablism with copper, ceramics and rocks. Supported by Arts Council England and the Esmée Fairbairn Foundation.